Does Creativity Decline with Age? The Case of Bob Dylan (Part 2)
The previous GeoCurrents post examined critical rankings of the best Bob Dylan songs, which I graphed in terms of Dylan’s age when he wrote the songs in question. In this last of three posts on Dylan, the same technique is used for other rankings of his songs.
The first graph depicts Dylan’s song that have been most-often covered by other musicians, according, that is, to the fallible AI service, ChatGPT. As I contemplated making the graph, I thought that it might take a distinctive shape. That idea was based largely on the prominence of a single song, “Make You Feel My Love,” written relatively late in Dylan’s career (1997). As noted by Wikipedia, “[‘Make You Feel My Love’] is one of the few songs to have achieved the status of becoming a ‘standard’ in the 21st century, having been covered by more than 450 different artists.” The song, however, is not rated as one of Dylan’s best by any of the sources that I had previously consulted. It is, moreover, only the thirteenth most-covered Dylan song – and the only one written after 1973 (according ChatGPT). Overall, the graph of Dylan’s most-covered songs is similar to those based on critical assessments, examined in the previous post. The actual song selection, however, is somewhat distinctive, in that “Forever Young” and “Knockin’ on Heaven’s Door,” both written in 1973, have been covered more often than such critically acclaimed songs as “Tangled Up in Blue,” and “Visions of Johanna.”

The next figure graphs the favorite Dylan song of some 80 musicians, selected by Stereogum to make such a choice in honor of Bob’s 80th birthday. Again, we see the familiar shape: an early peak followed by a drop then a resurgence, ending with a long tail as Dylan has aged. This graph does, however, have two distinctive features. First, it shows a relatively modest decline in Dylan’s late twenties. The second difference is a surprisingly large number of favorites written when Dylan was in his late seventies. This final peak derives largely from a single song, the almost 17-minute-long “Murder Most Foul.”

I could not resist graphing my own favorite Dylan songs for the final figure. I am unqualified to make such a list, and I would never claim that it represents anything like his “best” works – such an assessment, in my view, is one that only Dylan himself is qualified to make. At any rate, I found it relatively easy to pick my five favorite songs, but after that the process became increasingly difficult. I anticipated that the resulting graph would also have an unusual shape, as I tend to like the songs that Dylan wrote in the late 1970s and early 1980s more than most critics do. As it turned out, however, my graph follows the familiar curve, albeit with a larger-than-usual hump lasting from the early 1970s through the early 1980s. The fifty songs that I selected for graphing are listed in a figure at the end of this post.

For what it’s worth, my top Dylan songs are: “Where Are You Tonight (Journey Through Dark Heat”) (1978); “Tangled Up in Blue” (1974); “Blind Willie McTell” (1983); “Like a Rolling Stone” (1966); and “Every Grain of Sand” (1980”). “Tangled Up in Blue” and “Lke a Rolling Stone” rank high on almost every list of the best Dylan songs, and both “Every Grain” and “Blind Willie McTell” appear in high positions on many. But my favorite Dylan song – indeed, my favorite song – rarely makes the cut. It does appear in The Rolling Stone’s 100-song list, but only in the 97th slot. I was therefore pleased to see that one noted musician, Craig Finn of The Hold Steady, picked this gripping and intensely emotional song as his favorite. As he writes:
Today my favorite Dylan track is “Where Are You Tonight (Journey Through Dark Heat).” The closing track on Street-Legal begins with funky percussion before sliding into an easy groove. And it is this part that I love especially — the comfort and confidence of Dylan already deep in an astonishing career fronting a band with this knowing soulfulness. I’ve been listening to this song for many years, and I still don’t know what it’s exactly about, but it seems to mix the modern and personal with the ancient and biblical. Thus it comes off as a piece about all of it, a sweeping arm gesture at everything from birth to potential afterlife, shooting off as spokes and paths from the trailhead of a seemingly benign beginning couplet: “There’s a long distance train/ Rolling through the rain.” And while the parenthetical “Journey Through Dark Heat” comes closest to capturing the essence of the song, the main title and refrain asks one of this life’s most pertinent and important questions to listeners, lovers, friends, and fellow humans: “Where Are You Tonight?”
The album on which this song appears, Street-Legal, is also one of my favorites, even though it was generally panned by critics when it was released. More recently, however, the album been rising in critical assessment; in 2019, for example, Nick Tavares wrote about the “blinding, belated brilliance of Bob Dylan’s Street-Legal.” In my own (unqualified) opinion, Dylan reached his peak in the three-album sequence issued from 1975 to 1978: Blood on the Tracks, Desire, and Street-Legal. This run would have been even better if the distasteful song “Joey” been dropped from Desire and replaced with the sublime “Abandoned Love,” which had been recorded for the album but was not included on it. (The rejection of “Blind Willie McTell” from Infidels is even more baffling.)
As a final note, I value many of Dylan’s evangelical songs, written when he was in his late thirties and early forties, more than most of his fans and critics. For this stage of his career, I often prefer covers, a preference that many of Dylan’s most devoted fans would view as anathema. For what it’s worth, I favor Liz Wright’s rendition of “Another Grain of Sand,” Elkie Brooks’ version of “The Groom’s Still Waiting at the Alter,” and Sinéad O’Connor’s take on “I Believe in You.”
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